![]() ![]() This helps Lindsay focus on the location of Henry. However, Teddy draws on all the dark memories of their past and apologizes for his actions. She is upset at encountering Teddy once again and claims to not be able to remember anything. Their desperate pleas drive her to agree to confess the rest of her knowledge about where she was held, and she comes in to the station for question. Not that they were being raped and harmed.īenson and Voight go undercover as Henry's parents in order to ascertain more assistance from Jocelyn. George admits that he thought that the kids were being hired as actors. Sergeant Voight, from Chicago, enters to play bad cop, but takes his actions too far by getting overtly physical with George.īenson and Voight clash heads as the clock continues to run on Henry's fate, and the live stream of the proceedings upset the entire team. ![]() Teddy finally breaks down and reveals that he volunteered to be the one who raped Jocelyn to spare her from the cruelty of the older men.Īmaro and Rollins question the security guard George, while Fin pursues Henry's location. Teddy's tattoo gives away his identify as part of a rape video featuring Jocelyn from when she was underage. He is brought into the station and is initially reluctant to speak. Teddy is found at the pier, where Jocelyn said he would be, and he claims that he isn't the same person that he used to be. They meet a friend of Teddy's, Jocelyn, a fourteen year old prostitute turned teacher in training, and learn more about his location. Rollins and Austin check the youth center for troubled children, because that's where Teddy was last known to be before his disappearance. Police from Chicago work with the squad to track a child-pornography victim.Īs Lindsay continues to blame herself for the disappearance of little Teddy, even though she was only fifteen when the tragedy occurred, her, Voight, and Austin work alongside Benson, Fin, and the rest of the squad. 8/10.Watch Law & Order: SVU online to be a part of the special crossover episode with Chicago PD and Chicago Fire. Very good overall though and one of the better episodes of the season. Also, some of what Yates says and does earlier in the episode should have raised more alarm bells for the people he was practically incriminating himself to. ![]() Am not a fan generally of the character too, his motivations and tactics are questionable but having said that it is a little more understandable here than in most cases. Was less keen on Jason Beghe, his line delivery is too much of one tone and inflection (gravelly and mumbling). The performances are on the most part great and more, with steely Mariska Hargitay standing out of the regulars, Raul Esparza bringing a lot of energy, Tamara Tunie is a welcome presence and truly freaky Dallas Roberts steals the show. The two teams work very well together, really like the chemistry between Olivia and Vought, and for a crossover it succeeds in not feeling like too much of one show and not enough of the other (much more successful than the 'Law and Order'/'Homicide: Life on the Street' crossovers. Moreover, the story is gripping and has the right amount of tension evident from the very creepy beginning to the close. The script is thought provoking and is lean with very little fat, none of it is dumbed down or over complicated. The direction has some nice tension while keeping things steady, without going too far the other way. Have never been able to hear the song "Daydream Believer" or The Monkees in the same way again after hearing how it is used here. The music is used sparingly and is haunting and non-overwrought when it is used, and it's mainly used when a crucial revelation or plot development is revealed. As ever, the photography and such are fully professional, the slickness still remaining. While not mind-blowing, it is on the most part a very good episode and one of the better ones of the season and certainly of the very up and down second half of the season. "Daydream Believer" thankfully is one of the episodes that got better with each of my three viewings. Sticking out more vividly than most Season 16 episodes. This is an episode that really stuck in my mind on first watch, namely for the creepiness of the beginning and Dallas Roberts' performance. The character was a great one, though his episodes varied, with his earlier ones being very good but the ones with Dr Rudnick felt like one or two episodes too far. ![]() "Daydream Believer" continues the Gregory Yates, a character loosely based on Ted Bundy, arc started in 'Chicago PD', which is introduced on this show in this 'Law and Order: Special Victims Unit'/'Chicago PD' crossover (the second one for this show after "Chicago Crossover"). ![]()
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